Released: Oct 01st, 1998
Running Time: 83
Directors: Ed Campana, Brian Mills
Company: Satyr Productions
Distribution Companies: Titan Media
Cast: Damon Page, Scott Hunter, Josh Perez, Blake Harper, Gavin Press, Kirk Alan, Rick Matthews
Critical Rating: AAAA
Genre: Gay and Bi
This top-notch tape with four couple scenes has broad spectrum gay appeal.
Josh Perez is a voyeur with a camera, a photographer who points his telephoto lens at his sexually active neighbors to preserve their antics for posterity. First up are Kirk Alan and Scott Hunter, the construction workers across the way. From a nearby hill, Perez captures their creative coupling on opposite sides of a plastic dropcloth with a glory hole. Hunter thrusts his cock through the slit in the plastic as Alan reaches up for a tool, finding the boner to be exactly what he needed. Excellent videography (pre-nom to Brian Mills) utilizes the shadow cast by Hunter onto the plastic, his figure showing only through the dark areas, as Alan gobbles up his cock. Perez continues to snap away as Hunter sticks a screwdriver up Alan's ass to prepare him for the dick that is to follow.
Perez then returns to the darkroom, perhaps the sexiest job site on the planet, to turn his latent images into 8x10 glossies. After printing some photos of Gavin Press, Perez relives his own encounter with the uncut stud. Press is another construction worker at the building site, though it is doubtful that the construction will ever be completed as the workers would rather pound ass than nails.
Perez is once again prowling for unsuspecting models when he discovers Rick Matthews and Blake Harper watching television and eating a big bowl of buttered popcorn. They nibble the kernels from one another's bodies before deciding that the snack is extraneous and warm flesh is much more filling, especially from the other end of the gastrointestinal tract.
The final scene has Perez once again remembering a past experience atop a vintage automobile as he prints photographs of Damon Page. With his cocoa-colored skin, Page could satisfy any sweet tooth. Page fucks Perez before taking a dildo up his ass on the hood of the car, this scene being nicely intercut with a naked Perez printing in the darkroom, a technique used by only the most discriminating photographers in order to keep dust from falling off their clothing and onto the negatives. Pre-nom Perez for Best Actor for his accurate portrayal of a lusty photographer; pre-nom the uncredited screen writer; and the infectious, off-beat, sexy musical score by Rock Hard also gets a pre-nom.